House of Gucci Is the Most Family Thanksgiving Movie
Photo: Fabio Lovino
In the Gucci family, according to the film House of Gucci, there are many cherished traditions, most of which involve spending a lot of time caring for the fancy Tuscan cows that form the basis of their leatherworking empire and betraying each other. In my family, we possess fewer traditions and absolutely no cows, but we do have the tradition of going to see a movie after Thanksgiving dinner. It stems from a need to do something after having a weirdly early dinner (Does everyone have early Thanksgiving dinners? Ours are always at 3 p.m., who knows why), a mutual love of multiplexes, and not wanting to talk to each other anymore. That grand tradition has led to many group viewings of classics such as Casino Royale, Interstellar (when I had a stomach flu and had to run to a bathroom to throw up right when Ellen Burstyn appeared onscreen), and a movie we all saw and silently agreed to never talk about again, Love and Other Drugs. (We also had one year when no one in the extended family could agree, which is how I ended up seeing Four Christmases with my aunt while my brother and uncle went to Zack and Miri Make a Porno.)
This year, if you are engaging in this standard American family Thanksgiving activity, you might once again be in need of a film to all watch together. There are a good number of options this year — perhaps everyone has a high sci-fi tolerance and wants to see Dune, or maybe you all can be united in a distrust of the royals–slash–love of Twilight and go to Spencer — but I have determined that, empirically, House of Gucci is the most Family Thanksgiving Movie out there. Is it a good movie? Who knows! That’s not the point. But I promise that it is guaranteed to serve this purpose well.
Reason 1: House of Gucci is very long.
The movie is two hours and 37 minutes long! You might think this is a point against it, because maybe some family members will get bored and fall asleep, but this is actually great for a Family Thanksgiving Movie. You’ve already killed so much of the evening watching the movie together (less time to bicker about other things) and avoided those crucial after-dinner lulls where someone might say something like, “What do you all think about the state of the American political experiment?” Or worse: “Are you dating anyone right now?”
Reason 2: House of Gucci has an actor everyone can talk about.
A crucial part of any family movie discussion is when everyone gets to share where they saw an actor previously and nod sagely while they discuss how their performances compared. Younger generations can talk about Tisch alumna Lady Gaga (as she is famously credited in a season-three episode of Gossip Girl), older generations can talk about Pacino and Jeremy Irons, too-online children can say that they want Adam Driver to step on their face, moms who watched Call My Agent! can say it’s nice that Camille Cottin shows up briefly, and weird cousins can discuss the merits of Jared Leto, cinema’s weirdest cousin.
Reason 3: House of Gucci has accents everyone can talk about.
There is nothing more fun than being an armchair expert about the accents of movie stars. Are they good? Are they bad? Are they damaging to the status of Italians in the media? Should Ridley Scott have just shot the movie in Italian? Everyone can weigh in!
Reason 4: House of Gucci will make you all have to Wikipedia things.
You’re guaranteed to get at least another hour out of looking up various plot points like “Is Salma Hayek’s psychic character real?” (yes) and “What did Tom Ford do at Gucci” (design G-strings) and “Lake Como home how expensive” (very expensive).
Reason 5: House of Gucci is not for children.
Actually, this is somewhat of a downside if your family has a lot of children, but in that case, assign them some teenage cousin chaperone, send them off to Encanto (fun songs!), and then stick with Gucci for the adults. There’s a whole sex scene on a desk that is quite vigorous! Again, maybe you consider that a downside, but personally I believe Family Thanksgiving Movies are better when they’re a little scandalous. Gives everyone a little something to grumble and titter about.
Reason 6: House of Gucci is about the essential rot of wealth.
The movie’s got a lot of glamour, but it’s structured as a sort of tragedy of the collapse of a family, and their loss of control of their business due to the vicissitudes of the market. It’s an apt fit for a holiday that is superficially cozy, but really a commemoration of colonization. Make everyone do a little reflection on that.
Reason 7: House of Gucci will give you all many inside jokes to reference.
Even if you don’t like the movie, you will be bonded by making fun of its most ridiculous moments (when Lady Gaga announces, “It’s taime to take out thee trash”; when Jared Leto does anything) and then get a whole new set of inside jokes to reference. Families need inside jokes and mutual shared references in order to survive, otherwise they would just have to talk to each other directly. No one wants that.
In conclusion, I am taking my family to see House of Gucci this Thanksgiving, so I’m just hoping this works out on my end.
‘They really took off the cuffs and let me go’: Jared Leto transforms for ‘House of Gucci’
Lon Chaney transformed himself for so many roles that he was called “The Man of a Thousand Faces.” Jared Leto is probably a few more immersive characters away from reaching that benchmark, and even though he is unrecognizable under prosthetics and makeup in “House of Gucci,” capturing the spirit of the most lovable Gucci family member was as important as the physical elements.
“I love a physical transformation, but all of it is meaningless if you don’t have the heart and the soul," says Leto, who plays Paolo Gucci in director Ridley Scott’s soapy real-life drama (in theaters now). “We were able to push the character to a place where people that I was working with didn’t recognize me. And if they did, it was hard for them to see me."
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“House of Gucci” follows three tumultuous decades at the iconic Italian fashion company. Ambitious Patrizia Reggiani (Lady Gaga) marries into the famed Gucci family when she weds Maurizio Gucci (Adam Driver). Leto’s eccentric Paolo is one of the family members Patrizia cozies up to, a man with big dreams of being a world-renowned fashion designer but disrespected by his powerful father, Aldo (Al Pacino), and other relatives.
“I just connected deeply with who I thought this guy was: a frustrated artist who wanted to do something meaningful with his life,” Leto says. “They really took off the cuffs and let me go, and I’ll always be grateful for that freedom.”
The Oscar-winning actor, 49, arguably has an even more metamorphic role playing a scientist who turns into a living vampire in “Morbius” (in theaters Jan. 28), based on the Marvel comic-book character. His to-do list also includes reteaming with director Darren Aronofsky for the supernatural thriller “Adrift” (which Leto describes as “Dead Calm” meets “The Shining”), starring as Andy Warhol, and releasing a new album with his rock band Thirty Seconds to Mars.
Leto talks with USA TODAY about “House of Gucci,” “Morbius” and what his 20-something self would think about his most dynamic roles.
What to watch this Thanksgiving weekend:Disney’s ‘Encanto,’ Lady Gaga in ‘House of Gucci’
Question: You’ve always been a really fashionable guy, but for a movie like “House of Gucci” that’s all about fashion and style, did you feel the need to step up your red-carpet game?
Jared Leto: I didn’t, but I worked closely with Gucci the brand for about seven or eight years, and it’s just a coincidence that I happen to be in the movie as well. I don’t think Ridley even knew I worked with Gucci. They were quite supportive and happy about it. But when it comes time for the public events, I don’t really take it very seriously. I’m happy to have fun with it all.
Q: In the film, Paolo is derided as being a mediocre fashion designer by his family. Doing your research on the real figure, what did you think about his talent level?
Leto: He’s really quite an overlooked contributor to the Gucci story. He did the very first ready-to-wear show for Gucci. I believe he convinced them to do a bathing suit, which was groundbreaking at the time and sold out very quickly. He was really intent on pushing Gucci to the future and wasn’t afraid to break things in order to do it.
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Q: The last time you transformed into a comic character, you played infamous villain the Joker in “Suicide Squad.” Did you have the freedom to make Michael Morbius your own a little more?
Leto: Everyone who steps into the shoes of a character who’s been played before knows that it comes with a certain expectation. And there’ve been such phenomenal performances across the board (with Joker). A big selling point for me to do this was here’s the transformational aspect and here’s a character who no one’s never walked in their shoes before. I get to play three different versions of the same person, so it was kind of perfect for me.
Q: If you went back to the 1990s, visited yourself on the set of “My So-Called Life” and showed him stills of Paolo, Morbius, Joker and Rayon from “Dallas Buyers Club,” would he believe that’s all him?
Leto: No, he would’ve just (said), “Holy (expletive), what are you talking about?” I’m acutely aware of how lucky I am to be able to take on these challenges. I fought hard for this. These things didn’t all come at once and I’m grateful that people call me to take on enormous challenges. I wouldn’t have guessed, (but) I’ve always been attracted to that kind of acting, even back then.
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Q: Your band recorded a live cover of “Bad Romance" for the BBC back in 2010. After co-starring in a movie together, would you want to duet with Gaga?
Leto: I mean, I’d rather just sit and listen to her sing, to be honest. She’s such a great artist. You reminded me that I did that. I totally forgot. I haven’t even mentioned it to her but I should. It’s a great song. I’ve played it many times since onstage, and it’s a lot of fun.
Q: How’s the new Thirty Seconds to Mars album coming along?
Leto: We’ve written, my God, at this point it’s got to be a couple of hundred songs. Thirty Seconds to Mars is very much a live act, touring is really important to us, so we’ve got to take into consideration when the pipes are going to be a bit clearer for touring. But we have new songs ready to release and they’re recorded and basically finished, and we’re excited about it. I just need an album title and we’re off to the races. Maybe that’s it: “Off to the Races.”
Q: What have you been musically inspired by lately?
Leto: It’s hard not to be inspired by what’s happening all over the world. Certainly had plenty of songs about isolation and chaos. But actually, some fun stuff came out of that, too. We found a sense of humor in a few songs, some irony and a lot of self reflection, but definitely impacted and influenced and inspired by the times that we’ve all gone through. That’s why I wanted to call the album something like, “What the (Expletive) Is Going On.”
Q: Andy Warhol is a much different artistic icon than Paolo Gucci. Is he going to be hard to play in terms of finding something new about a well-known figure?
Leto: It’s a great question. We think we might know Andy Warhol in what we’ve seen, but a lot of people don’t. They don’t know about the kid from Pittsburgh that was too shy to talk to anybody. They don’t know about the graphic designer/illustrator that had massive success in New York before he ever had a painting sell. They don’t know about the abject failure that he faced for years and years and years and no one would take him seriously as an artist.
Q: Thanksgiving’s on Thursday. Do you have big plans?
Leto: A little hangout with mom and try to convince her to make some good wholesome grub.
Q: What’s your go-to Thanksgiving side dish?
Leto: Ooh, sweet potatoes. And I love me some stuffing and gravy. Oh, and cranberry sauce.
Q: So your answer is “all of them,” pretty much.
Leto: It is one of my favorite meals.
Slovak Cinemas Premiere ‘House of Gucci’ One Day Early as Government Orders COVID-19 Shutdown – Global Bulletin
CINEMAS
The Slovak government today declared a state of emergency will go into effect on Friday Nov. 25 in response to the deteriorating COVID-19 situation in the country. The state of emergency includes a curfew, with exceptions only for traveling to work, shopping and medical visits, and will run through Dec. 9. At that time, the government will re-evaluate the situation and decide whether to continue with the curfew.
In response to the notification that all cultural institutions, including cinemas, will be closed for at least two weeks as part of the curfew, Cinemax, the largest cinema operator in the country, announced across its social media profiles that it would pre-premiere Ridley Scott’s “House of Gucci” one day early for those interested in catching in the theater. The film was originally scheduled to premiere in the country on Friday, Nov. 25. Bratislava’s Slovak Film Week, scheduled for Nov. 29 – Dec. 5, has yet to announce how it will respond to the news. Last year, the event was held entirely online.
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AWARDS
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SALES
International distribution company Eccho Rights has sold Yellow Bird’s Swedish drama series “Threesome” to a trio of major territories. Channel 4 in the U.K. picked the series up for its free streaming service All 4, while RTL Passion in Germany and Canal Plus in France each also acquired the series, one of Sweden’s best-reviewed drama series of the year. “Threesome” tracks the lives of a young Swedish couple living in London whose once idyllic relationship undergoes a series of major changes. The series is written and directed by Lisa Linnertorp.
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