春夏減齡穿搭 經典小黑裙盡顯女力時尚

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春夏減齡穿搭 經典小黑裙盡顯女力時尚

更新 2021-02-20 8:21 AM 人氣 85

【大紀元2021年02月20日訊】（大紀元記者林溪綜合報導）說到黑色衣服，如今可說是人手一件，但談到經典的黑色服裝，你會想到什麼呢？時尚人士腦中第一個浮現的答案絕對是小黑裙。

小黑裙的歷史並非一帆風順，在維多利亞時期，小黑裙是喪服的象徵；二戰爆發後，因物資缺乏，使得簡單大方的小黑裙成為女性的日常工作服。但真正將小黑裙帶進時尚界的是法國女性時裝品牌「香奈兒」創始人可可香奈兒（Gabrielle Bonheur “Coco” Chanel）。

一戰結束後的20年代，又稱「咆哮年代（Roaring Twenties）」，工業化與就業機會增加，帶動社會傳統與現代意識衝撞，服裝自是不遑多讓：裝飾藝術盛行、女性主義抬頭……在這樣的氛圍下，可可香奈兒發表了H line直筒小黑裙，重新定義女性穿搭。

時至今日，小黑裙已經廣為流行，甚至擁有專屬縮寫「LBD」（Little Black Dress）。因應場合選擇樣式，能正式能休閒，實穿度相當高！搭配不同配件，也可以營造迥異風格，堪稱女孩子衣櫃中的必備單品。

就讓我們來瞧一瞧女星及各大時裝週，是如何展示這件經典時尚的小黑裙的。

微微提高的腰線和及膝裙擺長度，使身形顯得更修長，春夏最簡單又經典的背心小黑裙，最適合嬌小的女孩。細看上圖這件兩層衣料背心裙，外層優雅的鏤空雕花蕾絲網紗讓服裝更加精緻；領口、腰線、裙擺一致以亮片點綴，增添華麗感。

裸色魚紋鱗片高跟鞋和霸氣的太陽眼鏡，為整體造型帶來強烈的氣場。

凱蒂・荷姆斯身穿這件Ｖ領口服裝，乍看之下沒有上一件小圓領來的莊重正式，但細節依舊不馬乎。

胸前以壓皺布料交叉纏繞，營造豐富層次感同時凸顯腰身，整體線條自然流暢；裙擺依稀可見是以兩層網紗相疊，微微的波浪裙擺有著淡淡的浪漫感，搭配樸實簡單的珠寶項鍊、手環，顯盡典雅氣質；珠串高跟涼鞋造型特殊，相當吸晴。

泰勒絲的這件Ａ字傘裙低調卻實穿，根本不挑身形，人人都可適合，向外散開的裙型能遮掩腰際與大腿贅肉，受到許多女性歡迎。

黑色Ａ字小黑裙也是經典款式，平口設計凸顯頸部與鎖骨線條，微微澎起的三角形袖口修飾肩部輪廓，胸前雙層布設計，給人可愛俏皮的感覺，整體簡約沒有多餘裝飾，將泰勒絲的招牌紅唇與鮮紅指甲油彩，襯托的恰到好處。

細肩帶也是夏日首選。雖然是小黑裙，但採用了白色肩帶，無形中打亮上半身帶來好氣色，一字領設計有著清涼感，魚尾裙設計則巧妙的修飾了身體曲線，戴上墨鏡、踩著平底拖鞋，顯得悠閒自在，但手中的糖果色水餃包相當吸睛，馬上提升了時尚度。

細肩帶小黑裙內打底襯衫，可愛俏皮，卡通漫畫印花很引人矚目，與外層的小黑裙相互襯托，融合正式與休閒感，雙層Ｖ領的選擇凸顯了頸部線條，再墜上一顆小而精緻的珠寶，將視覺重點引導至臉部，是為一套精心設計的造型。

與外套相搭

春季微寒、夏季怕曬，進冷氣房又覺得冷，該怎麼辦？這時百搭的小黑裙絕不是空口說白話，搭上各式外套都能為其帶來新風格。

棒球外套帶來年輕的朝氣，和小黑裙相搭有著青春活潑的可愛氣息，搭配球鞋、帆布鞋都是不錯的選擇，厚底涼鞋則帶來更強的氣場，氣勢逼人。

硬挺的皮革和柔軟的小黑裙形成對比，毛絨棕褐色圍巾銜接兩種不同風格，融合甜美與幹練。

同樣萬用又百搭的牛仔外套+小黑裙，這是常見的春夏組合，短版的牛仔外套更休閒，同時將腰線提升，搭配高跟踝靴，看起來率性俐落、可愛又減齡。

西裝外套就顯得正式許多，經典黑與藕紫色相搭，有著高貴的氣息，從正式場合到出門吃飯都可以，也適合各年齡層穿搭。@*

責任編輯：曾晏均

The pandemic will revolutionise the way we dress - just like it did after the world wars

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There was only one occasion when I dressed up last year, and that was during the second lockdown in November, for a visit to Windsor Castle. Needless to say, I wasn’t there to meet the Queen - she and Prince Philip were in their own regal bubble; I was being filmed with the art historian and curator Caroline de Guitaut, talking about royal wedding dresses.

After months of wearing jeans, it felt cheering to slip into a Dior Bar jacket embroidered with flowers, teamed with tailored trousers and Chanel black slingbacks. These were instinctive choices, but they also happen to be emblematic: the enduring sartorial symbols of how fashion emerged from previous crises with a powerful sense of renewal.

It is a century since Coco Chanel defined the look of the 1920s, embodying a new era of modernism and female independence after the horrors of the First World War and the ensuing influenza pandemic. Chanel had suffered her own traumatic losses: her lover, Arthur Capel, survived the war as an army captain, only to be killed in a car accident in December 1919; while her younger sister, Antoinette, died soon afterwards, in the final months of the pandemic.

Coco Chanel’s anguish seemed overwhelming: she ordered the shutters of her house to be painted black, and the walls of her bedroom too, and she retreated into deep mourning. This was a time when a multitude of other women were grieving for the husbands, sons, brothers and fathers who had died in the battlefields of the First World War; and the world was still reeling from the subsequent shock of a flu virus that killed many millions more.

The French icon who revolutionised women’s clothes

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In fashion folklore, Gabrielle Chanel is famously credited as the designer who popularised trousers, making them a key piece in women’s wardrobes, and also for helping to liberate women from the tyranny of the corset. Instead of caging them in stuffy, superfluous designs, her clothes prioritised freedom of movement, mobility and comfort. She broke down sartorial codes by borrowing elements of men’s fashion, such as pockets and tweed, and erased waistlines and bustlines to create androgynous silhouettes. Like any good trailblazer, Chanel’s defiance of societal and gender norms early in her career befuddled some, and inspired others.

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It’s easy see why some view her as a feminist icon. But an exhibition about the designer at the Palais Galliera in Paris (which is temporarily closed but can be viewed online), stops short of calling Gabrielle, better known as Coco, a feminist. While words like “feminine” and “femininity” appear often to describe her creations, nowhere in the 16,145-sq-ft exhibition is feminism mentioned. That was a deliberate choice, says Miren Arzalluz, museum director and co-curator of Gabrielle Chanel: Fashion Manifesto. Of course, a century ago, when Coco Chanel was at the height of her influence, the word feminism was not widely known.